Juan D'Arienzo (December 14, 1900-January 14, 1976) was an Argentine tango musician, also known as "El Rey del Compas" (King of the Beat). In my interpretations I stamped the rhythm, the nerve, the strength and the character which distinguished it in the music world and which it had been losing for the above reasons. Juan D'Arienzo - Biographie von José Gobello. On bandoneons were Anselmo Aieta and Ernesto Bianchi, and Juan Puglisi on bass. n 1936, irrumpe victorioso Juan D'Arienzo en el disputado territorio de la popularidad. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. The players, including the leader, were no more than accompanists of the popular stars. He also recorded many great milongas and fast valses. I regard it as irreplaceable. Erstelle dein kostenloses Deezer Konto und höre Orquesta Juan D’Arienzo: die Top-Hits, Playlists oder die gesamte Diskografie. Stream songs including "La morocha", "Melodia porteña" and more. 13-9-1968 Buenos Aires RCA-Victor AVL-3819 RAAN-8298. Genre By 1936 Juan D'Arienzo was at the height of his popularity. Alfredo de Angelis Anibal Troilo . José Luis Padula. 1935 is the key year in D'Arienzo´s career. Ya entonces comienza la relación de D'Arienzo con el cabaret Chantecler, de la calle Paraná al 400. Luckily, that crisis was temporary, and today tango has been re-established, our tango, with the vitality of its best times. Destino de flor . A mi vieja Tango. Because we forgot that, Argentine tango entered into a crisis some years ago. When D'Arienzo achieved success with the new beat, he dazzled the Chantecler dancers and El Mundo radio station broadcast it all over the country. ... Nueve de Julio (1949-1951) 01. The human voice is not, it should not be another thing but an instrument more in the orchestra. Tango argentino M-Z . Always with D'Agostino on piano, he accompanied Evita Franco, who beautifully sang tangos like "Loca", "Entra nomás" or "Pobre milonga". My favorites are highlighted. That happened when in his orchestra Rodolfo Biagi was included, a pianist who had played with Pacho, who had accompanied Gardel on some recordings, who had also played with Juan Bautista Guido and with Juan Canaro. 20 tracks (51:07). In consequence, the orchestra, which plays it, cannot be relegated to the background to spotlight only the singer. His nickname was “El Rey del Compás” (The King of the Beat). In my opinion, a good part of the blame for tango decline is on the singers. He is considered as a sort of tango demagogue. He played violin in local venues at a very early age with Angel D'Agostino on piano, the bandoneon player Ernesto Bianchi (Lechuguita) and Ennio Bolognini, Remo and Astor´s brother. Canta Armando Laborde / Orquesta Juan D'Arienzo 13-9-1968 Buenos Aires RCA-Victor AVL-3819 RAAN-8298. Canta Armando Laborde / Orquesta Juan D'Arienzo Juan D'arienzo 1949 a 1957 DJ TORO; 196 videos; 66,763 views; Last updated on Jan 11, 2016; ... Juan D'arienzo - 1952 - Laborde - De corazon a corazon by DJ TORO. Like almost all the musicians in those days, he started in tango as a boy. Furthermore, I tried to rescue for tango its masculine strength, which it had been losing. Juan D'Arienzo nació en Buenos Aires el 14 de diciembre de 1900. Facing the martial rhythm by Canaro, the somewhat street band-like platitude of Francisco Lomuto, and De Caro´s symphonic attempts, D'Arienzo contributed a fresh, juvenile, enlivening air to tango. A mi vieja Tango. We're launching a subscription drive to help fund our operations in 2021. His popular group produced hundreds of recordings. I assemble my group with piano, double bass, five violins, five bandoneons and three singers. Juan D'Arienzo interpreta a Juan de Dios Filiberto, Cantemos corazón - Calla bandoneón (1955-1957), Barrio Belgrano - Más grande que nunca (1958-1959), Milonga de mis amores: Canta Osvaldo Ramos y Armando Laborde (1964-1975), Juan D'Arienzo con Libertad Lamarque, Alberto Echagüe, Armando Laborde (1954-1957), Sentimental: Canta Jorge Valdéz (1957-1964), Joyas del lunfardo (Canta Alberto Echagüe), 23 grandes éxitos: Instrumental (1936-1938). When D'Agostino left, he was replaced by Luis Visca, who was then composing "Compadrón". Corrientes y Esmeralda - 1944-1949: Juan D'Arienzo: 1: 2005: Criollo De Ley: Juan D'Arienzo: 1: 2005: De pura cepa - 1935-1936: Juan D'Arienzo: 1: 2005: El Rey del Compás - 1941-1943: Juan D'Arienzo: 1: 2005: Meta fierro - Yunta brava - 1939-1940: ... Vol. Videos; Biographien. Early tango, that of the old stream (guardia vieja), had all that, and we must try not to ever lose it. Francisco Canaro . Nueve de Julio (1949-1951) 03:02 02. Less members, never. There was a time when a tango orchestra was nothing else but a mere pretext for the singer´s performance. Cortti - Eduardo Cortti and his memories (1998) Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. D’Arienzo was born on December 14th, 1900 in the Buenos Aires neighborhood of Balvanera. Las entrevistas. Tango is essentially music. Höre kostenlos Juan D'Arienzo – Juan D'arienzo 1937 - 1938 (La Morocha, Melodia Porteña und mehr). Destino de flor (1957-1958) 03:02 02. Bonessi - Interview to Eduardo Bonessi. II AVL-3705 1966 Bailate un Tango, Ricardo AVL-3730 D'Arienzo was born on 14 December 1900 in the Buenos Aires neighborhood of Balvanera. Juan D'Arienzo - 1949. It must sound like a viola or a cello. Artist descriptions on Last.fm are editable by everyone. Jorge Valdez. Genres: Tango, Milonga. Orquesta " La Juan D´arienzo" con la dirección de Facundo Lazzari Juan D'Arienzo Part 1: Introduction and Early Career (1900 to 1934) Juan D'Arienzo Part 2: Tango Cancíon and The Guardia Nueva (1917 to 1935) Juan D'Arienzo Part 3 : The D'Arienzo Revolution (1935 to 1939) Part 4: Re-Invention and the Final Years (1940 to 1975) Part 5: References and Resources; Carlos di Sarli; Osvaldo Pugliese TIDAL is the first global music streaming service with high fidelity sound, hi-def video quality, along with expertly curated playlists and original content — making it a trusted source for music and culture. For me, that can´t be. I usually play 3 song vals tandas, but most of the tandas below are arranged in 4 song tandas for when they are needed. In an interview in 1949 with Andrés Muñoz,he said “We, D'Agostino and I on the violin, took part in the opening night of Alberto Novión´s sainete "El cabaret Montmartre". More detail…..(December 14, 1900 – January 14, 1976). Cóspito - A meeting with René Cóspito. Entdecke mehr Musik, Konzerte, Videos … Fue músico, violinista y director de orquesta de tango. If something happens to the latter I´m at a loss. But D'Arienzo, as José Luis Macaggi has very well said, made possible that tango renaissance called "la década del cuarenta" (the 40s), a decade which represented The golden Age of Tango. D'Arienzo remained linked to theater. In 1975, a month before his death, D'Arienzo noted again: "The foundation of my orchestra is the piano. Then the fourth violin appears as an essential element. He also played violin in the Frederickson jazz band and assembled a sextet with D'Agostino on piano; the other violin was Mazzeo. Juan D’Arienzo . Categories: Artist, Composers, Genre, Discographies. The dance had become subsidiary, displaced by lyrics and the singers, and then by the arrangement. Find Juan D'Arienzo credit information on AllMusic. Posteriormente, se retira Polito y el rubro es D'Arienzo-Visca . De Caro was already a star in 1924 when D'Arienzo began his rise to popularity when Pablo Osvaldo Valle took him to the brand new El Mundo radio station. La unión duró casi cuatro años. 1963 Juan D'Arienzo interpreta a Juan de Dios Filiberto AVL-3494 1963 For Export AVL-3512 1964 Cumpleaños de mi esposa AVL-3537 1964 Estampas de antaño AVL-3556 1965 D'Arienzo interpreta a Canaro AVL-3603 1965 Mi noche triste AVL-3634 1965 Che timbero AVL-3688 1966 For Export Vol. Juan D’Arienzo (December 14, 1900-January 14, 1976) was a violinist, pianist, band leader and composer. 9 talking about this. Juan D'Arienzo (December 14, 1900-January 14, 1976) was an Argentine tango musician, also known as "El Rey del Compas" (King of the Beat). Departing from other orchestras of the golden age, D'Arienzo returned to the 2x4 feel that characterized music of the old guard, but he used more modern arrangements and instrumentation. Originally published in Tango y Lunfardo Nº 132, Year XIV, Chivilcoy, 16 September 1997. Juan D'Arienzo, Aníbal Troilo, Orquesta Francini-Pontier, Sexteto Tango, Orquesta Típica Baffa-Berlingieri - Tangos De Oro En Estereo ‎ (LP, Comp) RCA Victor AVS-4312 Juan nuevamente titular. Luego, se transforma en el dueto D'Arienzo-Polito (Juan Polito) que no llegaron a grabar. Acababa de cumplir 35 años, uno menos que Julio De Caro —estilísticamente ubicado en el otro extremo del espectro musical del tango— era estrella desde 1924 y D'Arienzo comenzó a serlo cuando Pablo Osvaldo Valle lo llevó a la flamante radio El Mundo. 2:50. Juan D'Arienzo discography and songs: Music profile for Juan D'Arienzo, born 14 December 1900. Clausi - Interview to El Chula. Tango argentino D-L. He was just 35 years old, one less than Julio De Caro –but stylistically at the other end of the musical horizon of tango. This is the year when the D'Arienzo we all remember really appeared. Remastered Reissue of 1963's "For Export" LP. I had even used, for some recordings, up to ten violins".. Due to the importance given to piano by the maestro, it is not superfluous to give here the list of his pianists: Alfonso Lacueva, René Cóspito, Vicente Gorrese, Nicolás Vaccaro, Juan Polito, Luis Visca, Carlos Di Sarli, Lidia Fassoli, Cesar Zagnolli, Rodolfo Biaggi, Juan Polito, Fulvio Salamanca, Juan Polito, Normando Lazara (Di Sarli only performed for a month, at the Chantecler, in 1934, replacing Visca). Orquesta Tipica Juan D'Arienzo - Año 1947 - COPIA NUEVA - Don Alfonzo - (1945) (Varela y Blanco) Film : "El cantor del pueblo" - Dirigida por : Antonio Ber Ciani y estrenada en Enero de 1948 - Esta es la Orquesta Tipica de Juan D'Arienzo con sus cantores : Alberto Echegue y Armando Laborde ( Al lado del piano final del clip) Fila de bandoneones con Hector Varela (Arreglador y 1er. Feel free to contribute! Nueve de Julio . Includes the Remastered Reissue of "For Export 2" + part of "For Export 3". All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. My major pride is to have contributed to that renaissance of our popular music. Albums include The Tango Lesson, Tango, and El tango no tiene contra. Biagi - Interview to Rodolfo Biagi in 1960. In 1949 D'Arienzo said: “In my view, tango is, above all, rhythm, nerve, strength and character. Encuentra la letra de las canciones más populares de Juan D'Arienzo. I reacted against that mistake which caused the tango crisis and placed the orchestra in the foreground and the singer in his place. Tango argentino A-C. Putting aside modesty, I did all was possible to make it reappear. 1963-1975 RCA VICTOR ORIGINAL LP RELEASES (Chronological Order), 15 CDs 2004/5 "Sony/BMG" Remastered (1935-1975). His music is played often at milongas in Buenos Aires, and the instrumentals are the classic harder rhythmic tangos with a strong staccato dance rhythm. His first known performance goes back to 1919. 1934-1939. That happened when Rodolfo Biagi joined the orchestra. Here is my collection of vals tandas. 1930s - 1940s. ¡Descubre en Shazam los mejores vídeos y listas de reproducción de tus artistas favoritos! D'Arienzo gave tango back to the dancers´feet and with that he revived the interst of the young in tango. Departing from other orchestras of the golden age, D'Arienzo returned to the 2x4 feel that characterized music of the old guard, but he used more modern arrangements and instrumentation. Doctor Luis Adolfo Sierra has established, however, that Roberto Firpo's orchestra premiered that show (Firpo, on piano; Cayetano Puglisi, on violin; Pedro Maffia and Juan Bautista Deambroggio, on bandoneons, and Alejandro Michetti, on drums) until September 1 of that year, when it was replaced by that of D'Arienzo-D'Agostino. Juan D'Arienzo (Buenos Aires, 14 de diciembre de 1900 - Ibídem; 14 de enero de 1976) fue un músico y director de orquesta argentino de tango, conocido como “El rey del compás”.. A diferencia de otras orquestas de la época de oro (1940-1950), D’Arienzo retornó al sentimiento del 2 × 4 característico de la “guardia vieja”, pero con arreglos e instrumentación modernos. By then, D'Arienzo was performing at the Chantecler. Juan D'Arienzo nació en Buenos Aires el 14 de diciembre de 1900. Tango lovers despise D'Arienzo. This nickname "king of beat", given by Príncipe cubano (Angel Sanchez Carreño), an MC at the cabaret Chantecler, turned into the king of the dance, and by getting people to the dance he earned a lot of money. Juan D'Arienzo (December 14, 1900-January 14, 1976) was an Argentine tango musician, also known as "El Rey del Compas" (King of the Beat). In 1975, when the avant-garde movement was in bloom, D'Arienzo went on saying that "if musicians turned back to the pureness of two-four, the passion for our music would come again and, thanks to the modern media of broadcasting, we would reach world importance".. Listen to Juan D'Arienzo 1937-1938 by Juan D'Arienzo on Apple Music. Juan d'Arienzo (December 14, 1900 – January 14, 1976) was an Argentine tango musician, also known as "El Rey del Compás" (King of the Beat).He was a violinist, band leader, and composer. Creative Commons Attribution-ShareAlike License. He was son of Italian immigrants and used more modern arrangements and instrumentation; his popular group produced hundreds of recordings. Tango, which had been an ostentatious, challenging almost gymnastic dance, turned one day, according to Discépolo, into a sad thought which can be danced to. To sacrifice everything for the singer´s sake, for the star, is a mistake. When my pianist, Polito is ill, I replace him with Jorge Dragone. Juan d'Arienzo (14 december 1900 – 14 januari 1976) was een Argentijnse tangomuzikant.Hij werd wel 'de koning van het ritme' (El Rey del Compas) genoemd.D'Arienzo begon met traditionele tangomuziek maar ging langzaamaan moderne arrangementen spelen. In that year, he played with the Arata-Simari-Franco theater company when they presented the comic play by Alberto Novión, "El cabaret Montmartre" at the Nacional theater. At the play a small tango orchestra appeared, led by us, and which accompanied Los Undar's, a famous dancing number formed by the partners la Portuguesa and El Morocho, two stars of tango canyengue”. 1957-1958, Juan D'Arienzo, ESCUCHAR MUSICA MP3 GRATIS - Escuchar Musica Online HD Carlos Di Sarli . Biagi was a pianist who had played with Pacho, who had accompanied Gardel on some recordings, and had played with Juan Guido and Juan Canaro. Includes the Remastered Reissue of "For Export 3" + the complete "For Export 4". ... Destino de flor (1957-1958) 01. Departing from other orchestras of the golden age, D'Arienzo returned to the 2x4 feel that characterized music of the old guard, but he used more modern arrangements and instrumentation. Osvaldo Fresedo . When Biagi left him in 1938 to assemble his own orchestra, D'Arienzo had already identified himself with the two-four definitively. Biagi´s inclusion meant a change of time signature for D'Arienzo orchestra, which changed the four-eight for the two-four; that is to say, he returned to two-four, the fast frolic beat of the early tangos. Se dejo de lado los años 1928-29 ya que D'Arienzo actuaba como D'ARIENZO -VISCA - ***** VIDEOS : You Tube Tv World. Esta Colección con la obra completa de Juan D'Arienzo, se la debemos al trabajo realizado por Akihito Baba para el Club de Tango Argentino. Fue músico, violinista y director de orquesta de tango. 1935 is the key year in D'Arienzo's career; this is the year when the D'Arienzo we all remember really appeared.
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